Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 118
... that circumstance , and then do the reverse . " A student asks , " How come the bank robber didn't get shot in this version ? " " That's another comedy principle : people can fall into manholes , blow up in explosions , crash in cars ...
... that circumstance , and then do the reverse . " A student asks , " How come the bank robber didn't get shot in this version ? " " That's another comedy principle : people can fall into manholes , blow up in explosions , crash in cars ...
Side 129
... ( that's the beat ) , then Oscar turns quickly and sprays the food . That's the " derailment , " but it's Felix's reaction ( burn ) that gets a howl on top of the laugh . Here we have another important comedy principle : the joke is not ...
... ( that's the beat ) , then Oscar turns quickly and sprays the food . That's the " derailment , " but it's Felix's reaction ( burn ) that gets a howl on top of the laugh . Here we have another important comedy principle : the joke is not ...
Side 138
... that will prejudice them against you . That's hard for an actor to do because we all want to be liked , but don't let that influence your decisions or you'll distort and confuse the story . If the project fails , you fail with it . It's ...
... that will prejudice them against you . That's hard for an actor to do because we all want to be liked , but don't let that influence your decisions or you'll distort and confuse the story . If the project fails , you fail with it . It's ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young