Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side xiii
... Method was born . It spread like measles among the young . A great many had no idea of what it was all about , but they latched onto the blissful concept that acting is an art , not a craft , that too much training is dangerous ...
... Method was born . It spread like measles among the young . A great many had no idea of what it was all about , but they latched onto the blissful concept that acting is an art , not a craft , that too much training is dangerous ...
Side 4
... Method orientation , most actors are only capable of a cop - show or a sit - com . Mainly , only actors who escaped Lee Strasberg can play in sit - coms ; the Method is death to comedy . Comedy requires careful timing and an emphasis on ...
... Method orientation , most actors are only capable of a cop - show or a sit - com . Mainly , only actors who escaped Lee Strasberg can play in sit - coms ; the Method is death to comedy . Comedy requires careful timing and an emphasis on ...
Side 10
... Method if it doesn't work ? " That sent my sponsor into gales of laughter . He later told me that he repeated the ... Method ? " I had the long overdue satisfaction of seeing him take the cigar out of his mouth , crush it violently on ...
... Method if it doesn't work ? " That sent my sponsor into gales of laughter . He later told me that he repeated the ... Method ? " I had the long overdue satisfaction of seeing him take the cigar out of his mouth , crush it violently on ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young