Repository of Arts, Literature, Fashions &cR. Ackermann ... Sherwood & Company and Walker & Company ... and Simpkin & Marshall, 1817 |
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Side 1
... style , and for concealment by plantations ; indeed the offices might be nearly excluded from view by the shrub- beries between them and the prin- cipal building . B THE DOMESTIC COMMONPLACE - BOOK ; Containing authentic Receipts and.
... style , and for concealment by plantations ; indeed the offices might be nearly excluded from view by the shrub- beries between them and the prin- cipal building . B THE DOMESTIC COMMONPLACE - BOOK ; Containing authentic Receipts and.
Side 5
... style of declamation on the French stage . Some have accused him of heaviness in his delivery , a hollow - ters of blood upon the hand of his ness of tone , and a voice which is almost always confined , and which never developes itself ...
... style of declamation on the French stage . Some have accused him of heaviness in his delivery , a hollow - ters of blood upon the hand of his ness of tone , and a voice which is almost always confined , and which never developes itself ...
Side 13
... style of a modern novel . bunch of flowers into her hand , Shall I then commence by inform - had received a compound fracture . ing them , that Night had arrayed | My little woman , red in face as the herself in her dunnest robe , or ...
... style of a modern novel . bunch of flowers into her hand , Shall I then commence by inform - had received a compound fracture . ing them , that Night had arrayed | My little woman , red in face as the herself in her dunnest robe , or ...
Side 34
... style : No. 2. is rendered conspicuous by the good bass ; and No. 5. by the peculiarity of its character , and the skill with which the melody is amplified into semiquavered passages of good connection . No. 8. although but distantly ...
... style : No. 2. is rendered conspicuous by the good bass ; and No. 5. by the peculiarity of its character , and the skill with which the melody is amplified into semiquavered passages of good connection . No. 8. although but distantly ...
Side 36
... style . Setting out with a subject of this description , it proceeds in the same spirit , with- out ever assuming airs of affected consequence . All is lightsome , smooth , and agreeable . The dolce ( p . 2 ) , in imitation of the ...
... style . Setting out with a subject of this description , it proceeds in the same spirit , with- out ever assuming airs of affected consequence . All is lightsome , smooth , and agreeable . The dolce ( p . 2 ) , in imitation of the ...
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Abdallah Albert Durer appear arms Aspasia Azan Bastian Beatrice beauty black crape bosom cambric Cassander charms child Civilis colour composed cottage countess crape cried Crito crown dear dinner dress dress Duke Duke of York elegant eyes fancy fashionable father favour favourite feelings female finished flounce French front give hand happiness heart honour hope Ilzaide lace lady look Lord Madame Madame de Genlis manner Margot Massouf melody ment mind Mirvan Moncey morning morning dress mourning muslin nature neral ness never O'Hara ornamented passion Piano-Forte plain play pleasure present Prince Prince Regent Princess promenade quinquina racter rendered REPOSITORY ribbon round Royal Highness shew side silk sleeve soon style taste TATTLER thee ther thing thou thought tion trimmed truth ture vice-queen viceroy virtue white satin whole wine worn Ximeo young Zuma
Populære passager
Side 185 - Oh ! there are looks and tones that dart An instant sunshine through the heart, — As if the soul that minute caught Some treasure it through life had sought...
Side 238 - I, and held a lucrative office in the ' court of wards,' till that singular court was abolished at the time of the restoration. In his own times he was called ' The great Audley,'* an epithet so often abused, and here applied to the creation of enormous wealth. But there are minds of great capacity, concealed by the nature of their pursuits ; and the wealth of AUDLEY may be considered as the cloudy medium through which a bright genius shone, of which, had it been thrown into a nobler sphere of action,...
Side 240 - Hence he considered marriage, with a modern political economist, as very dangerous; bitterly censuring the clergy, whose children, he said, never thrived, and whose widows were left destitute. An apostolical life, according to...
Side 185 - A gem away, that thou hadst sworn Should ever in thy heart be worn. Come, if the love thou hast for me Is pure and fresh as mine for thee, — Fresh as the fountain under ground, When first 'tis by the lapwing found...
Side 280 - OUR sight is the most perfect and most delightful of all our senses. It fills the mind with the largest variety of ideas, converses with its objects at the greatest distance, and continues the longest in action without being tired or satiated with its proper enjoyments.
Side 91 - ... deformity, Affectation; it will produce the grin, the simper, the stare, the languish, the pout, and innumerable other grimaces, that render folly ridiculous, and change pity to contempt. By...
Side 307 - Foes to light-heart jollity : May no winds careering high Drive the clouds along the sky, But may all nature smile with aspect boon, When in the heavens thou show'st thy face, oh Harvest Moon!
Side 170 - It was dusk, when two squadrons of Prussian cavalry, both of them two deep, passed over me in full trot, lifting me from the ground, and tumbling me about cruelly : the clatter of their approach, and the apprehensions it EXTRAORDINARY PRESERVATION OF COLONEL PONSONIJY.
Side 92 - The love of reason and of virtue is mingled with the love of beauty; because this beauty is little more than the emanation of intellectual excellence, which is not an object of corporeal appetite. As it excites a purer passion, it also more forcibly engages to fidelity: every man finds himself more powerfully restrained from giving pain to goodness than to beauty; and every look of a countenance in which they are blended, in which beauty is the expression of goodness, is a silent reproach...
Side 91 - It has been remarked that the predominant passion may generally be discovered in the countenance ; because the muscles by which it is expressed, being almost perpetually contracted, lose their tone, and never totally relax ; so that the expression remains when the passion is suspended ; thus, an angry, a disdainful, a subtle, and a suspicious temper, is displayed in characters that are almost universally understood. It is equally true of the pleasing and the softer passions, that they leave their...