Q. Horatii Flacci Epistolae Ad Pisones, Et Augustum: With an English Commentary and Notes, to which are Added Critical Dissertations, Bind 1A. Millar, 1766 |
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Side 41
... reasons it was altogether pertinent to the poet's purpose , in a criticism on the drama , to expose the vicious practice of the epic models . Though , to preserve the unity of 4 his 募 his piece , and for the reafon before given in ART ...
... reasons it was altogether pertinent to the poet's purpose , in a criticism on the drama , to expose the vicious practice of the epic models . Though , to preserve the unity of 4 his 募 his piece , and for the reafon before given in ART ...
Side 46
... reason , but in pre- judice alfo to the scope and tenor of the poet's fense ; in which cafe only I allow myself to de- part from his text . The whole precept , on poetical diftribution , is delivered , as of import- ance : [ Ordinis ...
... reason , but in pre- judice alfo to the scope and tenor of the poet's fense ; in which cafe only I allow myself to de- part from his text . The whole precept , on poetical diftribution , is delivered , as of import- ance : [ Ordinis ...
Side 56
... reasons , into blowing . See Mr. W's . note upon the place . This flight change gives propriety and beauty to the paffage , which before had no fort of meaning . Yet still all is not quite right . For , as the great Critic himfelf ...
... reasons , into blowing . See Mr. W's . note upon the place . This flight change gives propriety and beauty to the paffage , which before had no fort of meaning . Yet still all is not quite right . For , as the great Critic himfelf ...
Side 67
... reason of the thing speaks , hæc funt Poetarum licentia liberiora . [ De Or . iii . 38. ] But the elegance of the ftyle , we are told , is increased both ways . The reafon is , accord- ing to Quinctilian ( who was perfectly of Cicero's ...
... reason of the thing speaks , hæc funt Poetarum licentia liberiora . [ De Or . iii . 38. ] But the elegance of the ftyle , we are told , is increased both ways . The reafon is , accord- ing to Quinctilian ( who was perfectly of Cicero's ...
Side 68
... reason of the thing juftifies their opinions , we may further fee the important use of fome late attempts to restore a better knowledge of our own . Which I observe with pleasure , as the growing prevalency of a very different humour ...
... reason of the thing juftifies their opinions , we may further fee the important use of fome late attempts to restore a better knowledge of our own . Which I observe with pleasure , as the growing prevalency of a very different humour ...
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Q. Horatii Flacci Epistolae Ad Pisones, Et Augustum: With an English ..., Bind 3 Horace,Richard Hurd Ingen forhåndsvisning - 2013 |
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againſt alfo antient arifing Ariftotle Atellane beauty becauſe befides beft cafe cauſe cenfure character chorus Cicero comedy COMMENTARY compofition confiftent courſe critic criticiſm Dacier defign difpofition Diomedes drama effential Ennius epiftle etiam Euripides expreffion exprefs facundia faid fame fatire fatyrs fays fcene feems feen fenfe fentiments ferve fhew fhould firft firſt fome fometimes fpecies fpirit ftage ftate ftill fubject fuch funt fuperior fuppofe genius Greek hath himſelf Hippolytus Horace imitation inftance inftruction itſelf juft juſt language leaſt lefs manner meaſure Medea Menander moft moral moſt mufic muft muſt nature neceffary numbers obferved occafion old comedy paffage paffion Peleus perfons philofopher Plautus pleaſure poem poet poet's poetry purpoſe quæ quid Quintilian racter reader reafon refpect Roman rule Satyrs ſay ſeems ſenſe ſome Sophocles ſpeaking ſpecies ſtage ſtate ſtill ſuch taſte Telephus thefe themſelves theſe thing thofe thoſe Tibia tragedy tragic uſe whofe words writers
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Side 28 - ... verum ubi plura nitent in carmine, non ego paucis offendar maculis, quas aut incuria fudit aut humana parum cavit natura.
Side 3 - ... adsuitur pannus, cum lucus et ara Dianae et properantis aquae per amoenos ambitus agros aut flumen Rhenum aut pluvius describitur arcus; sed nunc non erat his locus. et fortasse cupressum scis simulare: quid hoc, si fractis enatat exspes 20 navibus, aere dato qui pingitur?
Side 32 - Ducere quo vellet. Fuit haec sapientia quondam, Publica privatis secernere, sacra profanis, Concubitu prohibere vago, dare jura maritis, Oppida moliri, leges incidere ligno ; Sic honor et nomen divinis vatibus atque 400 Carminibus venit. Post hos insignis Homerus Tyrtaeusque mares animos in Martia bella...
Side 8 - Ut silvae foliis pronos mutantur in annos, Prima cadunt ; ita verborum vetus interit aetas, Et juvenum ritu florent modo nata vigentque.
Side 63 - Thence first came up the title of Blank Verse ; — You know, Sir, what Blank signifies ?— when the sense, First framed, is tied with Adjectives like points, And could not hold together without wedges : Hang 't, 'tis pedantic, vulgar Poetry. Let children, when they versify, stick here And there these piddling words for want of matter Poets write Masculine Numbers. [From the " Guardian," a Comedy, by Abraham Cow ley, 1650.
Side 9 - Musa dedit fidibus divos puerosque deorum Et pugilem victorem et equum certamine primum Et juvenum curas et libera vina referre.
Side 14 - Nec reditum Diomedis ab interitu Meleagri, Nec gemino bellum Trojanum orditur ab ovo ; Semper ad eventum festinat et in medias res Non secus ac notas auditorem rapit, et...
Side 257 - Ores.tes, were he to return to this Argos ? El. Ah ! wherefore that question, when there is no prospect of his return at all ? Or. But supposing he should return, how would he go about to revenge the death of his father ? El. In the same way, in which that father suffered from the daring attempts of his enemies. Or. And could you then dare to undertake with him the murder of your mother ? El. Yes, with that very steel, with which she murdered my father. Or. And am I at liberty to relate this to your...
Side 129 - Now if such an audience could so easily misinterpret an attention to the truth of character into the real doctrine of the poet, and this too, when a chorus was at hand to correct and disabuse their judgments, what must be the case, when the whole is left to the sagacity and penetration of the people? The wiser sort, 'tis true, have little need of this information.
Side 189 - S;c. 1736. later writers speak of him as the INVENTOR of this Poem. But to return to our proper subject, the Greek Satyrs. III. For the absolute merit of these satyrs, the reader will judge of it himself by comparing the Cyclops, the only piece of this kind remaining to us from antiquity, ' with the rules here delivered by Horace. Only it may be observed, in addition to what the reader will find elsewhere...