Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 3–4Discourse, 1981 |
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Side 62
... speak through its voice from the " It speaks " . † The signifier , the play of the signifier , never occurs except through desire . It is here , around this " mode of production " of the uncon- scious ( and its mode of representation ) ...
... speak through its voice from the " It speaks " . † The signifier , the play of the signifier , never occurs except through desire . It is here , around this " mode of production " of the uncon- scious ( and its mode of representation ) ...
Side 87
... speaks , and , no doubt , where it is least expected , namely , where there is pain . " In Jacques Lacan , Ecrits : A Selection , translated from the French by Alan Sheridan , NY : Norton , 1977 , p . 125 ) This slogan , " ça parle ...
... speaks , and , no doubt , where it is least expected , namely , where there is pain . " In Jacques Lacan , Ecrits : A Selection , translated from the French by Alan Sheridan , NY : Norton , 1977 , p . 125 ) This slogan , " ça parle ...
Side 9
... speaks . ' Poetry , painting and mnemonics were seen as intense visualization . By the middle ages the art of memory had been dropped from rhetoric and degraded as a memory aid for a weak man who had to use corporeal similitudes to ...
... speaks . ' Poetry , painting and mnemonics were seen as intense visualization . By the middle ages the art of memory had been dropped from rhetoric and degraded as a memory aid for a weak man who had to use corporeal similitudes to ...
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analysis artist Artscribe aut-aut Barthes becomes birds body camera castrated woman child Christian Metz Cinema concept connotative construction critical critique cultural department store economy experience fantasy feminine feminism feminist fetish filmic filmmakers forget forms of knowledge Foucault Freud function hermeneutics Hermeneutik human ideological interpretation Jacques Lacan Judith Barry Kofman Lacan Lacanian language linguistic logical look Magdalena Montezuma male desire Marxism material meaning Melanie Melanie's memory metaphor Mitch mode mother movement narrative Nietzsche object Oedipal painting Paraguay penis envy phallus pleasure poetic discourse political position practices primary process production psychoanalysis rationality reading reality relation relationship representation repressed Sarah Kofman Schleiermacher sense sequence shot signifier social specific spectator stagecoach story structure techniques THEATRE COLLECTION theoretical theory things tion traditional Ulrike Ottinger unconscious visual Werner Schroeter whole Willow Springs Witz women Women Film words YORK PUBLIC LIBRARY