Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 3–4Discourse, 1981 |
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Side 28
... Film in History ( 1980 ) . What distinguishes his approach is his sensitivity to the complexity of the relationships that exist among a film's production , contemporary conditions and attitudes , the period evoked by the film , and ...
... Film in History ( 1980 ) . What distinguishes his approach is his sensitivity to the complexity of the relationships that exist among a film's production , contemporary conditions and attitudes , the period evoked by the film , and ...
Side 42
... film , the relationship between the audience and the work is dialectical , meanings are multiple . While a work ... film . It is inscribed in the ideology that underlies all aspects of the film's construction . This ideology is ...
... film , the relationship between the audience and the work is dialectical , meanings are multiple . While a work ... film . It is inscribed in the ideology that underlies all aspects of the film's construction . This ideology is ...
Side 109
... film attracted such a great number of women that special women's meetings were organized during the Berlin Film Festival . These meetings and discussions created an atmosphere which allowed for the articulation of differences among the ...
... film attracted such a great number of women that special women's meetings were organized during the Berlin Film Festival . These meetings and discussions created an atmosphere which allowed for the articulation of differences among the ...
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analysis artist Artscribe aut-aut Barthes becomes birds body camera castrated woman child Christian Metz Cinema concept connotative construction critical critique cultural department store economy experience fantasy feminine feminism feminist fetish filmic filmmakers forget forms of knowledge Foucault Freud function hermeneutics Hermeneutik human ideological interpretation Jacques Lacan Judith Barry Kofman Lacan Lacanian language linguistic logical look Magdalena Montezuma male desire Marxism material meaning Melanie Melanie's memory metaphor Mitch mode mother movement narrative Nietzsche object Oedipal painting Paraguay penis envy phallus pleasure poetic discourse political position practices primary process production psychoanalysis rationality reading reality relation relationship representation repressed Sarah Kofman Schleiermacher sense sequence shot signifier social specific spectator stagecoach story structure techniques THEATRE COLLECTION theoretical theory things tion traditional Ulrike Ottinger unconscious visual Werner Schroeter whole Willow Springs Witz women Women Film words YORK PUBLIC LIBRARY