The Sale-room, Oplag 11817 |
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Side 91
... music at the time of the Reformation . Harmony , as I have stated , had made very great progress ; but Melody was yet ... psalm tunes ; and the concluding pieces of these operas , corresponding to the gay choruses and rondeaus of modern ...
... music at the time of the Reformation . Harmony , as I have stated , had made very great progress ; but Melody was yet ... psalm tunes ; and the concluding pieces of these operas , corresponding to the gay choruses and rondeaus of modern ...
Side 92
... psalm tunes now in use there , appear , from the oldest collections of them , to have been selected from the different psalmodies on the conti- nent , with the addition of many others , composed by English masters . The psalm- ody of ...
... psalm tunes now in use there , appear , from the oldest collections of them , to have been selected from the different psalmodies on the conti- nent , with the addition of many others , composed by English masters . The psalm- ody of ...
Side 94
... music ought to be . They unite all the simplicity and gravity of the old psalm tunes , to the sweet , flow- ing , and rhythmical melody of the best modern music . In England , also , the im- provement has been considerable , but it is ...
... music ought to be . They unite all the simplicity and gravity of the old psalm tunes , to the sweet , flow- ing , and rhythmical melody of the best modern music . In England , also , the im- provement has been considerable , but it is ...
Side 95
If , therefore , all the music of those bar barous ages has been consigned to merited oblivion except the psalm tunes , I beg to ask , why have these been preserved ? There can be but one reason ; because they have so long formed a part ...
If , therefore , all the music of those bar barous ages has been consigned to merited oblivion except the psalm tunes , I beg to ask , why have these been preserved ? There can be but one reason ; because they have so long formed a part ...
Side 96
... psalm tunes . first modern masters , there is no doubt they will always please ; and , in the mean- time , the object of the Institution is accom plishing , by the formation of a numerous body of singers , to whom the execution of the psalm ...
... psalm tunes . first modern masters , there is no doubt they will always please ; and , in the mean- time , the object of the Institution is accom plishing , by the formation of a numerous body of singers , to whom the execution of the psalm ...
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admiration appear attention beautiful believe better brother called character City Madam compositions Conductor Coriolanus Coryphæus delight Doctor doubt Dunder Edinburgh Epicharmus epigram eyes faculties fancy father favourite feelings give Greek hand Hanover-Street happy hath heard heart honour hope imagination interest James Ballantyne John Ballantyne Kean Kemble labour lady Langbeen live Loch Shin look Lord Byron Massinger means melody ment Michael Haydn mind mountains nature nerally never observed opinion perhaps Periodical Paper person pleasure poem poet poetical poetry possess present printed by James productions psalm psalm tunes psalmody published weekly racter readers remarks respect SALE-ROOM SATURDAY scene Scotland seems shew soul spect spirit Sultaun supposed sure talents taste ther thing thou thought Timocreon tion truth turned whole words writing young youth
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Side 171 - Oh! there are looks and tones that dart An instant sunshine through the heart, — As if the soul that minute caught Some treasure it through life had sought...
Side 209 - Tis to create, and in creating live A being more intense, that we endow With form our fancy, gaining as we give The life we image, even as I do now. What am I? Nothing; but not so art thou, Soul of my thought! with whom I traverse earth, Invisible but gazing, as I glow Mix'd with thy spirit, blended with thy birth, And feeling still with thee in my crush'd feelings
Side 163 - But midst the crowd, the hum, the shock of men, To hear, to see, to feel, and to possess, And roam along, the world's tired denizen, With none who bless us, none whom we can bless; Minions of splendour shrinking from distress!
Side 116 - Now is the winter of our discontent Made glorious summer by this sun of York ; And all the clouds, that lower'd upon our house, In the deep bosom of the ocean buried.
Side 209 - Cut to his heart again with the keen knife Of silent, sharp endurance: he can tell Why thought seeks refuge in lone caves, yet rife With airy images, and shapes which dwell Still unimpair'd, though old, in the soul's haunted cell.
Side 26 - Half way down Hangs one that gathers samphire; dreadful trade! Methinks, he seems no bigger than his head: The fishermen, that walk upon the beach, Appear like mice; and yon...
Side 28 - And now my tongue's use is to me no more Than an unstringed viol, or a harp ; Or like a cunning instrument cas'd up, Or, being open, put into his hands That knows no touch to tune the harmony.
Side 171 - The' acacia waves her yellow hair, Lonely and sweet, nor lov'd the less For flowering in a wilderness. Our sands are bare, but down their slope The silvery-footed antelope As gracefully and gaily springs As o'er the marble courts of kings.
Side 190 - Boastful and rough, your first son is a 'squire ; The next a tradesman, meek, and much a liar ; Tom struts a soldier, open, bold, and brave ; "Will sneaks a scrivener, an exceeding knave.
Side 182 - Thus Nature spake — The work was done — How soon my Lucy's race was run ! She died, and left to me This heath, this calm, and quiet scene ; The memory of what has been, And never more will be.