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Side 137
This Queer reading and reworking of cinematic icons undermines and negates traditional gender constructs and the roles that they imply . Westmoreland , in " Postmodern Depthlessness and Finding Pleasure in Zapata's Melodrama " ( 1998 ) ...
This Queer reading and reworking of cinematic icons undermines and negates traditional gender constructs and the roles that they imply . Westmoreland , in " Postmodern Depthlessness and Finding Pleasure in Zapata's Melodrama " ( 1998 ) ...
Side 179
First , the film breaks with traditional forms of gender representation in which women are mere objects , or at best , subjects controlled by male desires . Danzón goes about this rupture in a subtle way that is found to be non ...
First , the film breaks with traditional forms of gender representation in which women are mere objects , or at best , subjects controlled by male desires . Danzón goes about this rupture in a subtle way that is found to be non ...
Side 190
Women reject the patterns assigned by models of traditional femininity , but they do not find satisfaction in the current feminine model and they insist on one that allows for the opportunity of expressing distinct possibilities they ...
Women reject the patterns assigned by models of traditional femininity , but they do not find satisfaction in the current feminine model and they insist on one that allows for the opportunity of expressing distinct possibilities they ...
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Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
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