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Side 209
In the film previous to Ni de aquí ni de allá , the director also takes advantage of a popular expression in the title that proposes the same syntactical order ; Ni Chana ni Juana is a film that takes on some problems of identity more ...
In the film previous to Ni de aquí ni de allá , the director also takes advantage of a popular expression in the title that proposes the same syntactical order ; Ni Chana ni Juana is a film that takes on some problems of identity more ...
Side 13
But while Juliane , the revolted adolescent , takes on the fight from the inside , becoming a feminist journalist and activist , the once obedient and loving Juliane takes it on from the outside , becoming a revolutionary terrorist .
But while Juliane , the revolted adolescent , takes on the fight from the inside , becoming a feminist journalist and activist , the once obedient and loving Juliane takes it on from the outside , becoming a revolutionary terrorist .
Side 27
The truism threatens to take the place of open dialogue . ... ( episode 31 : " The Trap " ) This conversation takes place in a chic restaurant called The Panic Room , exposing what might be a less healthy emotion underneath his mental ...
The truism threatens to take the place of open dialogue . ... ( episode 31 : " The Trap " ) This conversation takes place in a chic restaurant called The Panic Room , exposing what might be a less healthy emotion underneath his mental ...
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Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
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