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Side 116
The scene recalls that of Buñuel's Los olvidados ( 1952 ) when the young protagonist coincidentally also named Pedro for no apparent reason , throws an egg at the camera . The film very clearly reminds the public of their spectatorship ...
The scene recalls that of Buñuel's Los olvidados ( 1952 ) when the young protagonist coincidentally also named Pedro for no apparent reason , throws an egg at the camera . The film very clearly reminds the public of their spectatorship ...
Side 155
While Julia looks on , Roberto moves across the background , watching as he had in an earlier scene when he observed them intimately kiss , discovering their incestuous relationship . So when the song begins- " Anyone who ever loved ...
While Julia looks on , Roberto moves across the background , watching as he had in an earlier scene when he observed them intimately kiss , discovering their incestuous relationship . So when the song begins- " Anyone who ever loved ...
Side 25
Immediately after this scene we see the pyramid sculpture for the first time in a brief long - shot of the art exhibit , followed by a mildly competitive exchange between Claire and Russell over the pricing of their art works ( Claire's ...
Immediately after this scene we see the pyramid sculpture for the first time in a brief long - shot of the art exhibit , followed by a mildly competitive exchange between Claire and Russell over the pricing of their art works ( Claire's ...
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Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
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