Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 26Indiana University Press, 2004 |
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Side 133
... popular magazines and other pop arti- facts , the majority of camp icons come from popular film , often B - movies . Queer authors , from William S. Burroughs onward , use elements from low - brow cinema in their novels ( one may think ...
... popular magazines and other pop arti- facts , the majority of camp icons come from popular film , often B - movies . Queer authors , from William S. Burroughs onward , use elements from low - brow cinema in their novels ( one may think ...
Side 194
... popular " cinema . In films by María Elena Velasco , the India María ( María the Indian ) , the term " popular " extends beyond the nature of the ideal spectator who hails from the lower classes , politely denominated “ popular ” in ...
... popular " cinema . In films by María Elena Velasco , the India María ( María the Indian ) , the term " popular " extends beyond the nature of the ideal spectator who hails from the lower classes , politely denominated “ popular ” in ...
Side 198
... popular puede causar la televisión " ( 28 ) ( The long theatre run for this film , uneven as few are , aberrant in its humor , without direction nor acting nor much less a script , only demonstrates the damage that television can work ...
... popular puede causar la televisión " ( 28 ) ( The long theatre run for this film , uneven as few are , aberrant in its humor , without direction nor acting nor much less a script , only demonstrates the damage that television can work ...
Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata