Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 26Indiana University Press, 2004 |
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Side 67
... narrator that later appear in print under the name of this " escritor superficial . " The author of Las púberes canéforas , then , embeds his work within that of two figures , the resentful Guillermo and this narrator . This game ...
... narrator that later appear in print under the name of this " escritor superficial . " The author of Las púberes canéforas , then , embeds his work within that of two figures , the resentful Guillermo and this narrator . This game ...
Side 238
... narrator's opinion of the " generación nueva " appears in the first two pages of the novel , where the narrator has not yet left the narrative present to tell his tale . This introductory section acquaints the reader with the narrator ...
... narrator's opinion of the " generación nueva " appears in the first two pages of the novel , where the narrator has not yet left the narrative present to tell his tale . This introductory section acquaints the reader with the narrator ...
Side 239
... narration ) , Spain loses its last colonies and the Generation of '98 is the " generación nueva " that the narrator finds so decadent . These historical references provide us with the narrator's po- litical views as well as a temporal ...
... narration ) , Spain loses its last colonies and the Generation of '98 is the " generación nueva " that the narrator finds so decadent . These historical references provide us with the narrator's po- litical views as well as a temporal ...
Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata