Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 26Indiana University Press, 2004 |
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Side 48
... movie caught the attention of the audience . Yet between that and the way success is understood today there is a big ... movies have been picked out and they have been assured what other films didn't have before : interna- tional ...
... movie caught the attention of the audience . Yet between that and the way success is understood today there is a big ... movies have been picked out and they have been assured what other films didn't have before : interna- tional ...
Side 53
... movie . A.R .: I was surprised when I saw in the film's official brochure that it said " U.S. - Mexico . " That isn't true : 21 Grams is a North Ameri- can film . The same thing is true for the " The Others , " Alejandro Amenábar's film ...
... movie . A.R .: I was surprised when I saw in the film's official brochure that it said " U.S. - Mexico . " That isn't true : 21 Grams is a North Ameri- can film . The same thing is true for the " The Others , " Alejandro Amenábar's film ...
Side 134
... movie set instead of in an insane asylum at the end of the narrative ; and Santiago and his young lover Arturo , who live out their sex lives in pornographic home movies in La más fuerte pasión.2 While a large number of Za- pata's ...
... movie set instead of in an insane asylum at the end of the narrative ; and Santiago and his young lover Arturo , who live out their sex lives in pornographic home movies in La más fuerte pasión.2 While a large number of Za- pata's ...
Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata