Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 26Indiana University Press, 2004 |
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Side 5
... look more generally at some ways that Mexican cinema has been received in the US . It is also of interest here to look at how the pressures of globalization , largely from the US and particularly from Hollywood , affect Mexican cinema ...
... look more generally at some ways that Mexican cinema has been received in the US . It is also of interest here to look at how the pressures of globalization , largely from the US and particularly from Hollywood , affect Mexican cinema ...
Side 15
... looks to the innovations of Dadaism that broke with the static , classically formal work of art as an example of what this " future art " might look like . Dada is important to Benjamin because he looks for a “ future modality of art as ...
... looks to the innovations of Dadaism that broke with the static , classically formal work of art as an example of what this " future art " might look like . Dada is important to Benjamin because he looks for a “ future modality of art as ...
Side 66
... look at it in the same way : " Mirela ahora , abuelo " ( Look at it now , Grandfather ) . Unlike his childish veneration of the revolutionary heroes as presented to him by his grandfather , Plutarco's mature , critical view of the city ...
... look at it in the same way : " Mirela ahora , abuelo " ( Look at it now , Grandfather ) . Unlike his childish veneration of the revolutionary heroes as presented to him by his grandfather , Plutarco's mature , critical view of the city ...
Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata