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Side 67
These disoriented , alienated characters turn to fantasy in order to gain access to a Mexico City that could serve as home for the authoring subject . Slavoj Žižek's Lacanian reading of popular cultural films and stories in his 1991 ...
These disoriented , alienated characters turn to fantasy in order to gain access to a Mexico City that could serve as home for the authoring subject . Slavoj Žižek's Lacanian reading of popular cultural films and stories in his 1991 ...
Side 77
They obsessively rehearse the conflict between wanting to describe the urban real and knowing that access to it can be gained only through fantasy . What sort of fantasy , then , do Aguilar Mora , Ramírez , Fuentes ...
They obsessively rehearse the conflict between wanting to describe the urban real and knowing that access to it can be gained only through fantasy . What sort of fantasy , then , do Aguilar Mora , Ramírez , Fuentes ...
Side 80
This short passage distills the fantasy structure of the entire novel . Thinking of countless anonymous murder victims in the city , La Gorda decides to act out their destinos as his own . He thus lends his own name and his personal ...
This short passage distills the fantasy structure of the entire novel . Thinking of countless anonymous murder victims in the city , La Gorda decides to act out their destinos as his own . He thus lends his own name and his personal ...
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Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
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