Fra bogen
Resultater 1-3 af 81
Side 6
The cinematic " Boom " ignores the fact that Mexican cinema's history is at least as long as that in the US . It is a tradition that begins in 1896 when Bon Bernard and Vayre showed the first frames ever filmed in Mexico , including ...
The cinematic " Boom " ignores the fact that Mexican cinema's history is at least as long as that in the US . It is a tradition that begins in 1896 when Bon Bernard and Vayre showed the first frames ever filmed in Mexico , including ...
Side 19
Emphasizing this point even more is the fact that Gris's statue contains the golden object all the others lack . This fact serves almost as a pun to Benjamin's " Work of Art in the Age of Mechanical Reproduction , " where he writes that ...
Emphasizing this point even more is the fact that Gris's statue contains the golden object all the others lack . This fact serves almost as a pun to Benjamin's " Work of Art in the Age of Mechanical Reproduction , " where he writes that ...
Side 187
Perhaps the explanation lies in the fact that in all of those collections , the first duty is to politics , the second to diversity and inclusion , and the third to rational argument . Only the second duty would compel the Fluxwedding's ...
Perhaps the explanation lies in the fact that in all of those collections , the first duty is to politics , the second to diversity and inclusion , and the third to rational argument . Only the second duty would compel the Fluxwedding's ...
Hvad folk siger - Skriv en anmeldelse
Vi har ikke fundet nogen anmeldelser de normale steder.
Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
18 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
allows American appears argues audience authors become begins body Buñuel called characters cinema civil contemporary continue couples Court created critical cultural defined desire director discourse effects existence experience fact fantasy feminism film García gender give heterosexual historical homosexual identity imagined important Juan Julia Latin lesbian live look María married Marxism meaning Mexican Mexico City Michigan mother movie narrative narrator nature novel object political popular position possibility practices present production provides Queer question recent reference relation relationship represents role same-sex marriage scene seems sense sexual social society sodomy space Spanish specific status story symbolic takes tion traditional turn United University values Veracruz woman women writes York young