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Side 114
However , the director places the transvestite in dark spaces , with occasional outings into the light , and much of the foreplay takes place with Juan's back towards Roberto . Typical to the way women are portrayed in cinema ...
However , the director places the transvestite in dark spaces , with occasional outings into the light , and much of the foreplay takes place with Juan's back towards Roberto . Typical to the way women are portrayed in cinema ...
Side 116
In the scene where Blanca imagines her father dead , the director recreated the Beatles ' Sgt . Pepper's album cover , with a group of people standing behind Blanca at the funeral scene . The director also emphasizes the theatricality ...
In the scene where Blanca imagines her father dead , the director recreated the Beatles ' Sgt . Pepper's album cover , with a group of people standing behind Blanca at the funeral scene . The director also emphasizes the theatricality ...
Side 153
As the director of UNAM's School of Architecture theater , he staged plays with an experimental flair . He founded and edited the theater journal La Carpa ( Batis 127 ) . By 1965 he held the post of Artistic Director of UNAM's ...
As the director of UNAM's School of Architecture theater , he staged plays with an experimental flair . He founded and edited the theater journal La Carpa ( Batis 127 ) . By 1965 he held the post of Artistic Director of UNAM's ...
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Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
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