Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 26Indiana University Press, 2004 |
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Side 220
... called MTV aesthetic . Already in his 1984 book , Postmodern- ism , or The Cultural Logic of Late Capitalism , and then in a superb piece on the transformation of images in postmodernity , Fredric Jameson ( quoting Paul Willis ) wrote ...
... called MTV aesthetic . Already in his 1984 book , Postmodern- ism , or The Cultural Logic of Late Capitalism , and then in a superb piece on the transformation of images in postmodernity , Fredric Jameson ( quoting Paul Willis ) wrote ...
Side 86
... called " the Principle " of " plural " or " Celestial " marriage , and what the rest of the country called " polygamy , " American anxiety was not over a word , but over the very existence of the practice within the nation's borders ...
... called " the Principle " of " plural " or " Celestial " marriage , and what the rest of the country called " polygamy , " American anxiety was not over a word , but over the very existence of the practice within the nation's borders ...
Side 106
... called “ spiritual marriage , " however disguised by legal or ecclesiastical solemnities , sacraments , ceremonies , consecration , or other contrivances . ( cited in Chapman v . Handley 674 ; emphasis added ) At once protecting ...
... called “ spiritual marriage , " however disguised by legal or ecclesiastical solemnities , sacraments , ceremonies , consecration , or other contrivances . ( cited in Chapman v . Handley 674 ; emphasis added ) At once protecting ...
Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata