Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 26Indiana University Press, 2004 |
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Side 21
... begins to decay turning an awful shade of bluish grey revealing some whiteness underneath which we first take to be his bone . In this new version of himself he begins to imitate more and more the characteristics of a vampire : He is ...
... begins to decay turning an awful shade of bluish grey revealing some whiteness underneath which we first take to be his bone . In this new version of himself he begins to imitate more and more the characteristics of a vampire : He is ...
Side 155
... begins when Carlos has given his farewell speech and begun to dance with another woman . While Julia looks on , Roberto moves across the back- ground , watching as he had in an earlier scene when he observed them intimately kiss ...
... begins when Carlos has given his farewell speech and begun to dance with another woman . While Julia looks on , Roberto moves across the back- ground , watching as he had in an earlier scene when he observed them intimately kiss ...
Side 243
... begins to mix his desire for Lilí with his desire for La Niña and he also begins to mix his perception of the Mexican landscape with the Mexican woman . La Niña Chole's body is the place where the colonial desire coincides with romantic ...
... begins to mix his desire for Lilí with his desire for La Niña and he also begins to mix his perception of the Mexican landscape with the Mexican woman . La Niña Chole's body is the place where the colonial desire coincides with romantic ...
Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata