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Side 87
... we invent our own existence as a small super production seen by an invisible and omniscient audience that follows us everywhere ; an audience that judges and approves our actions , celebrates our successes and thoughts , cries our ...
... we invent our own existence as a small super production seen by an invisible and omniscient audience that follows us everywhere ; an audience that judges and approves our actions , celebrates our successes and thoughts , cries our ...
Side 173
Gazes and Cinematic Readings of Gender : Danzón and its Relationship to its Audience Norma Iglesias Though Mexican cinema has been the object of numerous studies , few of these refer to the process of audience reception : to that ...
Gazes and Cinematic Readings of Gender : Danzón and its Relationship to its Audience Norma Iglesias Though Mexican cinema has been the object of numerous studies , few of these refer to the process of audience reception : to that ...
Side 189
Its deconstructive nature is marked by the active and critical relationship that it establishes with the audience . For María Novaro , as for the female audience , Danzón constitutes the aesthetic and political possibility of redefining ...
Its deconstructive nature is marked by the active and critical relationship that it establishes with the audience . For María Novaro , as for the female audience , Danzón constitutes the aesthetic and political possibility of redefining ...
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Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
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