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Side 114
The deep voice is one clue , though it comes in just one short phrase " en la boca no porque me enamoro , " ( don't kiss me in the mouth because I'll fall in love ) which also allows the camera to show Juan , the transvestite's face for ...
The deep voice is one clue , though it comes in just one short phrase " en la boca no porque me enamoro , " ( don't kiss me in the mouth because I'll fall in love ) which also allows the camera to show Juan , the transvestite's face for ...
Side 156
This is achieved in part by the constant movement across different levels of past time , allowing the story to ... or the return of a previously seen object , allows for the accumulation of meaning in what is apparently the same image .
This is achieved in part by the constant movement across different levels of past time , allowing the story to ... or the return of a previously seen object , allows for the accumulation of meaning in what is apparently the same image .
Side 175
It also allows an understanding of the role that cinema has in the questioning of gender / power relationships . I : The Methodological Challenge Undertaking the study of gendered cinematic reception supposes an entry into the realm of ...
It also allows an understanding of the role that cinema has in the questioning of gender / power relationships . I : The Methodological Challenge Undertaking the study of gendered cinematic reception supposes an entry into the realm of ...
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Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
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