Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 26Indiana University Press, 2004 |
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Side 27
... Mexico City . Depictions of Mexican provincia in films set within Mexico City often imagine the territory outside of the capital as idyllic , so much so that most Mexico City characters never manage to set foot in this promised land ...
... Mexico City . Depictions of Mexican provincia in films set within Mexico City often imagine the territory outside of the capital as idyllic , so much so that most Mexico City characters never manage to set foot in this promised land ...
Side 60
... Mexico City is particular to the late 1970s and early 1980s . The late 1970s to the early 1980s mark a profound transforma- tion in the possibilities of narrating the " massified city " that envel- ops the Distrito Federal . In the ...
... Mexico City is particular to the late 1970s and early 1980s . The late 1970s to the early 1980s mark a profound transforma- tion in the possibilities of narrating the " massified city " that envel- ops the Distrito Federal . In the ...
Side 263
... Mexico City's vast , complex urban geography and the emergence of marginal- ized groups within the sociopolitical space and on the movie screen ( viii ) . Similar to Dever's emphasis on women , indigenous groups , and less - privileged ...
... Mexico City's vast , complex urban geography and the emergence of marginal- ized groups within the sociopolitical space and on the movie screen ( viii ) . Similar to Dever's emphasis on women , indigenous groups , and less - privileged ...
Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata