Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 26Indiana University Press, 2004 |
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Side 198
... María Elena Velasco , la India María , nunca como en esta ocasión demuestra cuáles son sus pretensiones cinematográfi- cas . Esto es , un cine abiertamente comercial en el cual la figura principal es el personaje que le ha dado ...
... María Elena Velasco , la India María , nunca como en esta ocasión demuestra cuáles son sus pretensiones cinematográfi- cas . Esto es , un cine abiertamente comercial en el cual la figura principal es el personaje que le ha dado ...
Side 202
... María , in a routine that became the paradigm of the prob- lematic coupling in Mexico for two people of different races and social classes . The India María's admiration for this white man in conjunction with his guarded scorn toward ...
... María , in a routine that became the paradigm of the prob- lematic coupling in Mexico for two people of different races and social classes . The India María's admiration for this white man in conjunction with his guarded scorn toward ...
Side 206
... María's objective is to save money in order to buy a tractor , but in Los Angeles , she never receives a cent for her various employments . In effect , the poverty that María suffered in Mexico parallels the poverty that she lives ...
... María's objective is to save money in order to buy a tractor , but in Los Angeles , she never receives a cent for her various employments . In effect , the poverty that María suffered in Mexico parallels the poverty that she lives ...
Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata