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Side 44
When Juan takes a cadaver to the priest , the two stand so that the Mexican flag waves behind Juan and the church's cross rises behind the corrupt priest . Later , Juan sits with assistant Carlos Pek and dreams of the improvements for ...
When Juan takes a cadaver to the priest , the two stand so that the Mexican flag waves behind Juan and the church's cross rises behind the corrupt priest . Later , Juan sits with assistant Carlos Pek and dreams of the improvements for ...
Side 114
The deep voice is one clue , though it comes in just one short phrase " en la boca no porque me enamoro , " ( don't kiss me in the mouth because I'll fall in love ) which also allows the camera to show Juan , the transvestite's face for ...
The deep voice is one clue , though it comes in just one short phrase " en la boca no porque me enamoro , " ( don't kiss me in the mouth because I'll fall in love ) which also allows the camera to show Juan , the transvestite's face for ...
Side 115
The shots effectively lure the spectator into a suspension of their direct reading of Juan's male body , and accepting of the diegetic reading Roberto provides . Since we as viewers identify with the male gaze , we see Juan through ...
The shots effectively lure the spectator into a suspension of their direct reading of Juan's male body , and accepting of the diegetic reading Roberto provides . Since we as viewers identify with the male gaze , we see Juan through ...
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Indhold
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Copyright | |
18 andre sektioner vises ikke
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