Discourse, Bind 5–81987 |
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Side 62
... writing . Taking into account the problematic status of " writing " ( Schrift ) in Adorno's philosophy , the filmmaker's task would be analogous to that of dialec- tical thought - unmasking the ideology of images , revealing them as ...
... writing . Taking into account the problematic status of " writing " ( Schrift ) in Adorno's philosophy , the filmmaker's task would be analogous to that of dialec- tical thought - unmasking the ideology of images , revealing them as ...
Side 29
... writing by women differs from writing by men , " and to " propose the preliminary metaphor ' female identi- ty is a process ' for the most fundamental of Fall - Winter 86-87 29.
... writing by women differs from writing by men , " and to " propose the preliminary metaphor ' female identi- ty is a process ' for the most fundamental of Fall - Winter 86-87 29.
Side 84
... writing subject masks and romanticizes asymmetrical power relations . Postmodern autobiographical writing addresses questions of identity in a different manner . I am not suggesting two polar opposites in my use of the terms modern ...
... writing subject masks and romanticizes asymmetrical power relations . Postmodern autobiographical writing addresses questions of identity in a different manner . I am not suggesting two polar opposites in my use of the terms modern ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing