Discourse, Bind 5–81987 |
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Side 36
... turn their heads , the words refer to another image , which is now in front of them . And , as they turn around again , that too is gone . This short sequence , on the very theme of voyeurism , is a condensed and perfect metaphor of the ...
... turn their heads , the words refer to another image , which is now in front of them . And , as they turn around again , that too is gone . This short sequence , on the very theme of voyeurism , is a condensed and perfect metaphor of the ...
Side 82
... turn up again later , apropos of montage . So I shall content myself here with giving an approximate outline of it ... turns to the guarantee of Engels and his Dialectics of Nature , which 82 DISCOURSE.
... turn up again later , apropos of montage . So I shall content myself here with giving an approximate outline of it ... turns to the guarantee of Engels and his Dialectics of Nature , which 82 DISCOURSE.
Side 32
... turn elsewhere . It is commonly assumed that such a viewer , blocked from character identification , turns instead to the higher strata of nonidentificatory responses . With Kluge's help , I would disagree . The narrator holds a ...
... turn elsewhere . It is commonly assumed that such a viewer , blocked from character identification , turns instead to the higher strata of nonidentificatory responses . With Kluge's help , I would disagree . The narrator holds a ...
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Almindelige termer og sætninger
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing