Discourse, Bind 5–81987 |
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Side 41
... theory " cut off from life , " and of anything that might resemble a theory for theory's sake , as in the expression " Art for Art's sake . " In the introduction to this work we spoke of the diffuse , ubiquitous presence of theory in ...
... theory " cut off from life , " and of anything that might resemble a theory for theory's sake , as in the expression " Art for Art's sake . " In the introduction to this work we spoke of the diffuse , ubiquitous presence of theory in ...
Side 45
... theory of the cinema - or at least a certain space , an area of film theory - is beginning to take shape . I am aware of all of this , and I realize , therefore , that what is perhaps the most important issue ( " Eisenstein's place in a ...
... theory of the cinema - or at least a certain space , an area of film theory - is beginning to take shape . I am aware of all of this , and I realize , therefore , that what is perhaps the most important issue ( " Eisenstein's place in a ...
Side 82
... theory of the subject in general and Lacanian theory in particular collude in directing energies away from social and economic relations , that this theory " is useful to the sustenance and the reproduction of the capitalist system ...
... theory of the subject in general and Lacanian theory in particular collude in directing energies away from social and economic relations , that this theory " is useful to the sustenance and the reproduction of the capitalist system ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing