Discourse, Bind 5–81987 |
Fra bogen
Resultater 1-3 af 71
Side 22
... structure can be used to represent , symbolically , moments of social transformation and change . Once again the final part of the story structure rein- forces order , absorbing the abnormal back into a normality which might be altered ...
... structure can be used to represent , symbolically , moments of social transformation and change . Once again the final part of the story structure rein- forces order , absorbing the abnormal back into a normality which might be altered ...
Side 23
... structure of the ritual becomes absorbed into the over - all structure of the story as such . He also singles out the close relation between social transition and actual territorial passage , suggesting that the " limen " is not simply ...
... structure of the ritual becomes absorbed into the over - all structure of the story as such . He also singles out the close relation between social transition and actual territorial passage , suggesting that the " limen " is not simply ...
Side 114
... structure , on the other hand , seeks to fix a referent which is his- torically and politically overdetermined— “ Vietnam❞ — by inscrib- ing it in a series of exchanges , and processes of substitution or transformations , which aim at ...
... structure , on the other hand , seeks to fix a referent which is his- torically and politically overdetermined— “ Vietnam❞ — by inscrib- ing it in a series of exchanges , and processes of substitution or transformations , which aim at ...
Andre udgaver - Se alle
Almindelige termer og sætninger
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing