Discourse, Bind 5–81987 |
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Side 62
... speech is nevertheless different from manifest speech . The greater tendency towards predication and condensation allows inner speech to " freely integrate thing - representations in its chain of signifiers , a facility it shares with ...
... speech is nevertheless different from manifest speech . The greater tendency towards predication and condensation allows inner speech to " freely integrate thing - representations in its chain of signifiers , a facility it shares with ...
Side 8
... speech is problematized as speaking with no speech or not speaking as speech . " What is heard on the soundtrack of this film is the very absence of a verbal commentary and of spoken words ; only a brief wordless tune interrupts the ...
... speech is problematized as speaking with no speech or not speaking as speech . " What is heard on the soundtrack of this film is the very absence of a verbal commentary and of spoken words ; only a brief wordless tune interrupts the ...
Side 125
handling , expressing the intensity of my sorrow , the anguish of speech - for I was always saying the wrong thing , asking the wrong questions . I could not confine my speech to the necessary corners and concerns of life . These ...
handling , expressing the intensity of my sorrow , the anguish of speech - for I was always saying the wrong thing , asking the wrong questions . I could not confine my speech to the necessary corners and concerns of life . These ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing