Discourse, Bind 5–81987 |
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Side 44
... specific films . That is essentially the case with montage ( of which little will be said here since . a chapter will be devoted to it at the end of this study ) , the frame , and also the final form taken by the reflections on this ...
... specific films . That is essentially the case with montage ( of which little will be said here since . a chapter will be devoted to it at the end of this study ) , the frame , and also the final form taken by the reflections on this ...
Side 82
... specific nature , it reproduces phenomena according to all the signs of the methods which produce the reflection of reality in the move- ment of the operation of the mind ( there is not a single specific trait of cinematic phenomena or ...
... specific nature , it reproduces phenomena according to all the signs of the methods which produce the reflection of reality in the move- ment of the operation of the mind ( there is not a single specific trait of cinematic phenomena or ...
Side 95
... specific instance of montage , would seem to have discouraged any study of the frame , composition , etc. He therefore announces his inten- tion to do such a study in his essay , and begins , not insignificantly , by talking about a ...
... specific instance of montage , would seem to have discouraged any study of the frame , composition , etc. He therefore announces his inten- tion to do such a study in his essay , and begins , not insignificantly , by talking about a ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing