Discourse, Bind 5–81987 |
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Side 65
... speak about something — that's what I call speaking . And sometimes you can't speak about a solid object , you speak about im- material objects but if you're really speaking then that's material as well . " J.-L. Godard , as interviewed ...
... speak about something — that's what I call speaking . And sometimes you can't speak about a solid object , you speak about im- material objects but if you're really speaking then that's material as well . " J.-L. Godard , as interviewed ...
Side 8
... speak and to speak sound English in a repressed context . It is on the reappropriation of the female voice , on the world of woman talk beautifully conveyed by Bell Hooks in her text that this issue closes . " To make my voice I had to ...
... speak and to speak sound English in a repressed context . It is on the reappropriation of the female voice , on the world of woman talk beautifully conveyed by Bell Hooks in her text that this issue closes . " To make my voice I had to ...
Side 123
... speak then when one was not spoken to was a courageous act an act of risk and daring . And yet it was hard not to speak in warm rooms where heated discussions began at the crack of dawn , women's voices filling the air , giving orders ...
... speak then when one was not spoken to was a courageous act an act of risk and daring . And yet it was hard not to speak in warm rooms where heated discussions began at the crack of dawn , women's voices filling the air , giving orders ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing