Discourse, Bind 5–81987 |
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Side 119
... space in a very written mode . Whether he " flattens it out " ( as with the case of the shot of Ivan at Alexandrov ) or whether , much more frequently , he hollows it out by distorting it ( his fondness for the " 28 " lense is well ...
... space in a very written mode . Whether he " flattens it out " ( as with the case of the shot of Ivan at Alexandrov ) or whether , much more frequently , he hollows it out by distorting it ( his fondness for the " 28 " lense is well ...
Side 106
... space which is neither subordinate to nor leading the image . On the other hand , their ' voices ' rarely comment on the images in a way that would ' split ' the spectator between voice and image , be- tween one diegetic space and ...
... space which is neither subordinate to nor leading the image . On the other hand , their ' voices ' rarely comment on the images in a way that would ' split ' the spectator between voice and image , be- tween one diegetic space and ...
Side 110
... space of realism to con- struct the imaginary , Adynata works with space as a fictional element to deconstruct representation . The Orient is itself al- ready a fictionalized place , essentially an absence , corresponding to the silent ...
... space of realism to con- struct the imaginary , Adynata works with space as a fictional element to deconstruct representation . The Orient is itself al- ready a fictionalized place , essentially an absence , corresponding to the silent ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing