Discourse, Bind 5–81987 |
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Side 38
in social life for the purpose of steering it toward an ideal order : " The house of confinement in the classical age constitutes the densest symbol of that " police " which conceived of itself as the civil equivalent of religion for ...
in social life for the purpose of steering it toward an ideal order : " The house of confinement in the classical age constitutes the densest symbol of that " police " which conceived of itself as the civil equivalent of religion for ...
Side 53
... social ima- ginary as it sustained the Third Reich and continued to haunt political and social relations under its legal successor , the Federal Republic of Germany . While Elsaesser grants Metz's concept of primary identification a ...
... social ima- ginary as it sustained the Third Reich and continued to haunt political and social relations under its legal successor , the Federal Republic of Germany . While Elsaesser grants Metz's concept of primary identification a ...
Side 22
... social change and instability in which the old nor- mative social and cosmic order of the polis , based on a class strati- fied descent structure , was being undermined by the more univer- salistic ( non - kin based ) forms of ...
... social change and instability in which the old nor- mative social and cosmic order of the polis , based on a class strati- fied descent structure , was being undermined by the more univer- salistic ( non - kin based ) forms of ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing