Discourse, Bind 5–81987 |
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Side 37
... sexual behaviors were , first medically categorized and labeled as sexual perversions , then given juridical status as individual personality types , in The History of Sexuality , pp . 36-49 . The above excerpts from the dialogue of Bad ...
... sexual behaviors were , first medically categorized and labeled as sexual perversions , then given juridical status as individual personality types , in The History of Sexuality , pp . 36-49 . The above excerpts from the dialogue of Bad ...
Side 19
... sexual differentiation . The mirror relationship of the two shots in the montage sequence draws our attention to a second subjective factor , one much more con- cerned with establishing similarities than differences . Through the jux ...
... sexual differentiation . The mirror relationship of the two shots in the montage sequence draws our attention to a second subjective factor , one much more con- cerned with establishing similarities than differences . Through the jux ...
Side 103
... sexual politics of imaging , in a conjunction of love , death and the cinema that makes Prénom Carmen , for instance , curiously reminiscent of Le Petit Soldat . ― From this vantage - point , the voice - over in Letter to Jane is a ...
... sexual politics of imaging , in a conjunction of love , death and the cinema that makes Prénom Carmen , for instance , curiously reminiscent of Le Petit Soldat . ― From this vantage - point , the voice - over in Letter to Jane is a ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing