Discourse, Bind 5–81987 |
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Side 85
... seems necessary to me to insist on the essential ambivalance of the status of dialectical materialism in Eisenstein's thinking . Studies of Eisenstein , at least those which are concerned with this issue ( and they are few in number ) ...
... seems necessary to me to insist on the essential ambivalance of the status of dialectical materialism in Eisenstein's thinking . Studies of Eisenstein , at least those which are concerned with this issue ( and they are few in number ) ...
Side 21
... seems to have reached some sort of resolution . This interior sequence is interrupted by a long , exterior take of ... seem to be moving about behind them . Anni's voice - off asks : " Why shouldn't we take the phrase ' her weakness is ...
... seems to have reached some sort of resolution . This interior sequence is interrupted by a long , exterior take of ... seem to be moving about behind them . Anni's voice - off asks : " Why shouldn't we take the phrase ' her weakness is ...
Side 92
... seem to involve a propping of the subject within a fluid and mobile dis- course which seems subversive and reassuring . It turns out that what bothers him ( he looks rather worried throughout the film ) is that another sort of ...
... seem to involve a propping of the subject within a fluid and mobile dis- course which seems subversive and reassuring . It turns out that what bothers him ( he looks rather worried throughout the film ) is that another sort of ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing