Discourse, Bind 5–81987 |
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Resultater 1-3 af 68
Side 64
... problem at this stage ( an immediately practical problem , which was expressed in the films ) resides in the tension , not to say the contradiction , between its aggressiveness , its surprise aspect ( its Prolet- kult aspect ) , and its ...
... problem at this stage ( an immediately practical problem , which was expressed in the films ) resides in the tension , not to say the contradiction , between its aggressiveness , its surprise aspect ( its Prolet- kult aspect ) , and its ...
Side 96
... problem of the passage from a revolutionary thematic in general , from the inflamed pathos of earlier stages to the taking of a position with respect to those themes . In the same way that the method of communism is the superior form of ...
... problem of the passage from a revolutionary thematic in general , from the inflamed pathos of earlier stages to the taking of a position with respect to those themes . In the same way that the method of communism is the superior form of ...
Side 43
... problem of the film / spectator relationship . An in- sistent doxa , based on well known texts by Jean - Louis ... problems than it solves . Needless to say , there is little unity between these four ( and may- be more ) approaches , and ...
... problem of the film / spectator relationship . An in- sistent doxa , based on well known texts by Jean - Louis ... problems than it solves . Needless to say , there is little unity between these four ( and may- be more ) approaches , and ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing