Discourse, Bind 5–81987 |
Fra bogen
Resultater 1-3 af 84
Side 56
... political events but the very possibility of an alternative political disourse which would allow for contradictions , revisions , and the freedom - and " labor " -of mourning . What technically looks like a collage of documentary and ...
... political events but the very possibility of an alternative political disourse which would allow for contradictions , revisions , and the freedom - and " labor " -of mourning . What technically looks like a collage of documentary and ...
Side 28
... political culture , and in which the psycho - analytic structures of society erupt into gesture . Carnival provides a model as an intersection between different formations . It is a cultural phenomenon that is also political ; a symptom ...
... political culture , and in which the psycho - analytic structures of society erupt into gesture . Carnival provides a model as an intersection between different formations . It is a cultural phenomenon that is also political ; a symptom ...
Side 96
... political , Brechtian avantgarde , and its opposite , the formal , “ structuralist " avantgarde , which in turn , has been effec- tively criticised by feminist film - theory in the name of a more hetero- geneous film - practice , 4 show ...
... political , Brechtian avantgarde , and its opposite , the formal , “ structuralist " avantgarde , which in turn , has been effec- tively criticised by feminist film - theory in the name of a more hetero- geneous film - practice , 4 show ...
Andre udgaver - Se alle
Almindelige termer og sætninger
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing