Discourse, Bind 5–81987 |
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Side 13
... objects of consciousness but " pieces of activity " or pressures.3 The drive is directed by an aim , identified by ... object with an image and bringing it under social control . It is as though Freud recognized the social destiny of ...
... objects of consciousness but " pieces of activity " or pressures.3 The drive is directed by an aim , identified by ... object with an image and bringing it under social control . It is as though Freud recognized the social destiny of ...
Side 36
... object of spectacle . Spectacle might be understood on three levels in Lili Marleen , levels which function almost as a catalogue of the ways in which the very notion of spectacle has evolved in film theory , and feminist film theory in ...
... object of spectacle . Spectacle might be understood on three levels in Lili Marleen , levels which function almost as a catalogue of the ways in which the very notion of spectacle has evolved in film theory , and feminist film theory in ...
Side 65
... object can really affect the drive , which is conceived as ' coming out ' from the subject . This in turn affects ... object , you speak about im- material objects but if you're really speaking then that's material as well . " J.-L ...
... object can really affect the drive , which is conceived as ' coming out ' from the subject . This in turn affects ... object , you speak about im- material objects but if you're really speaking then that's material as well . " J.-L ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing