Discourse, Bind 5–81987 |
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Side 83
... nature is governed by laws whose essence is dialectical ; and especially that in dialectical nature , transformations do not take place gradually , but by leaps and bounds . It is sufficient to thumb through " Non - indifferent Nature ...
... nature is governed by laws whose essence is dialectical ; and especially that in dialectical nature , transformations do not take place gradually , but by leaps and bounds . It is sufficient to thumb through " Non - indifferent Nature ...
Side 84
... nature , a nature endowed with corporeality and with laws . which are themselves organic , should be so strongly represented as Mother Nature - this Great Whole in which the spectator , the film , and Eisenstein all participate , and in ...
... nature , a nature endowed with corporeality and with laws . which are themselves organic , should be so strongly represented as Mother Nature - this Great Whole in which the spectator , the film , and Eisenstein all participate , and in ...
Side 98
... nature and in particular human nature continues to be present in the very laws of architectural proportions [ ... ] It is certainly not concrete representation , but the correlation between the proportions of the phenomenon represented ...
... nature and in particular human nature continues to be present in the very laws of architectural proportions [ ... ] It is certainly not concrete representation , but the correlation between the proportions of the phenomenon represented ...
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Almindelige termer og sætninger
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing