Discourse, Bind 5–81987 |
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Side 8
... narrative that the avant- garde can act upon those constructions and relations of meaning . As has often been remarked , every narrative effects a transforma- tion . Although classic cinema generally uses narrative to move the viewer ...
... narrative that the avant- garde can act upon those constructions and relations of meaning . As has often been remarked , every narrative effects a transforma- tion . Although classic cinema generally uses narrative to move the viewer ...
Side 22
... narrative . He takes issue with Levi - Strauss's emphasis on the synchronic and draws atten- tion to the fact that narrative events have a disruptive function in their diachronic aspect : " The story is bounded at both ends by an ...
... narrative . He takes issue with Levi - Strauss's emphasis on the synchronic and draws atten- tion to the fact that narrative events have a disruptive function in their diachronic aspect : " The story is bounded at both ends by an ...
Side 109
... narrative , the kinds of difference which found the order of discourse , such as male / female , seeing / seen partake equally of referentiality and enunciation : indeed narrative efficacity depends on their convergence to the point of ...
... narrative , the kinds of difference which found the order of discourse , such as male / female , seeing / seen partake equally of referentiality and enunciation : indeed narrative efficacity depends on their convergence to the point of ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing