Discourse, Bind 5–81987 |
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Side 108
... meaning , to induce specific emotions — takes on an aspect of madness as it forms a parenthe- sis in which " beauty " and " deformity " are given a certain parity by association , yet counterposed as an oxymoron , a crisis in meaning ...
... meaning , to induce specific emotions — takes on an aspect of madness as it forms a parenthe- sis in which " beauty " and " deformity " are given a certain parity by association , yet counterposed as an oxymoron , a crisis in meaning ...
Side 110
... meaning of “ adynata ” is revealed : “ a stringing to- gether of impossibilities ” as a means of speaking . Impossible in narrative logic , perhaps , but in Blanchot's words , " here meaning does not escape into another meaning but into ...
... meaning of “ adynata ” is revealed : “ a stringing to- gether of impossibilities ” as a means of speaking . Impossible in narrative logic , perhaps , but in Blanchot's words , " here meaning does not escape into another meaning but into ...
Side 117
... meaning is turned inside out into a question of meaning , our knowledge is turned into a figment of the imagination : the ideological objects that our soci- ety constructs are silently declared im - pertinent . It is the end of ...
... meaning is turned inside out into a question of meaning , our knowledge is turned into a figment of the imagination : the ideological objects that our soci- ety constructs are silently declared im - pertinent . It is the end of ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing