Discourse, Bind 5–81987 |
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Resultater 1-3 af 80
Side 38
... less , modernist . In such a recog- nized , if vaguely defined , area as contemporary modernist cinema , cer- tain assumptions are operative . The tenets hold that a self - interruptive text provides the appropriate rupture with linear ...
... less , modernist . In such a recog- nized , if vaguely defined , area as contemporary modernist cinema , cer- tain assumptions are operative . The tenets hold that a self - interruptive text provides the appropriate rupture with linear ...
Side 32
... less and less perceived as a monolithic , ideologically hegemonic institution , the attendant implications for an alternative cinema are now , accordingly , less clear cut . The term " alternative cinema " is vague , especially when it ...
... less and less perceived as a monolithic , ideologically hegemonic institution , the attendant implications for an alternative cinema are now , accordingly , less clear cut . The term " alternative cinema " is vague , especially when it ...
Side 30
... less fixed , less unitary , and more flexible than male individuality , both in its primary core and in the entire maturational complex developed from this core , " 26 but patiently to dismantle the very notion of core ( be it static or ...
... less fixed , less unitary , and more flexible than male individuality , both in its primary core and in the entire maturational complex developed from this core , " 26 but patiently to dismantle the very notion of core ( be it static or ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing