Discourse, Bind 5–81987 |
Fra bogen
Resultater 1-3 af 78
Side 52
... least potential meaning and , at the very least , representa- tion . ) Eisenstein , who did not shy away from plays on words , on several occasions connected the Russian word obraz ( image ) -more punningly than etymologically , it ...
... least potential meaning and , at the very least , representa- tion . ) Eisenstein , who did not shy away from plays on words , on several occasions connected the Russian word obraz ( image ) -more punningly than etymologically , it ...
Side 115
... least in so far as figuration and representation are concerned ) the scenic analogy and tends to become writing . ( The close - up consequently standing metonymically for everything which functions as a " supplement " with respect to ...
... least in so far as figuration and representation are concerned ) the scenic analogy and tends to become writing . ( The close - up consequently standing metonymically for everything which functions as a " supplement " with respect to ...
Side 130
... least in the symbolic guilt of all the participants in the action ) . The death theme next occurs towards the middle of shot 49 , where it brutally heightens the theme of betrayal , logically with respect to the plot , and accompanies ...
... least in the symbolic guilt of all the participants in the action ) . The death theme next occurs towards the middle of shot 49 , where it brutally heightens the theme of betrayal , logically with respect to the plot , and accompanies ...
Andre udgaver - Se alle
Almindelige termer og sætninger
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing