Discourse, Bind 5–81987 |
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Side 28
This kind of resistance , located within the terms of diverse but congruent practices and discourses , may either succeed and become power ( as it does for Alex ) or fail and end up in confinement , the mor- gue or the archive ( as for ...
This kind of resistance , located within the terms of diverse but congruent practices and discourses , may either succeed and become power ( as it does for Alex ) or fail and end up in confinement , the mor- gue or the archive ( as for ...
Side 124
... kind of written discourse ( which in this particular case would come to represent some- thing like a literal interpretation of the metaphor , " the czarist power was overturned in February 1917. " ) I will not overemphasize this example ...
... kind of written discourse ( which in this particular case would come to represent some- thing like a literal interpretation of the metaphor , " the czarist power was overturned in February 1917. " ) I will not overemphasize this example ...
Side 111
... kind of performance - film as both an affirmation and a refusal , affirmation of a presence that is irreducible precisely because it cannot be transformed into character and a fiction , and a refusal of the kind of hallucinated presence ...
... kind of performance - film as both an affirmation and a refusal , affirmation of a presence that is irreducible precisely because it cannot be transformed into character and a fiction , and a refusal of the kind of hallucinated presence ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing