Discourse, Bind 5–81987 |
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Side 29
Difference as uniqueness or special identity is both limiting and deceiving . If identity refers to the whole pattern of sameness within a human life , the style of a continuing me that permeates all the changes undergone , then ...
Difference as uniqueness or special identity is both limiting and deceiving . If identity refers to the whole pattern of sameness within a human life , the style of a continuing me that permeates all the changes undergone , then ...
Side 30
... identity ... that varies from the male model , ” and to demonstrate that " primary identity for women is more flexible and relational than for men . Female gender identity is more stable than male gender identity . Female infantile ...
... identity ... that varies from the male model , ” and to demonstrate that " primary identity for women is more flexible and relational than for men . Female gender identity is more stable than male gender identity . Female infantile ...
Side 99
... identity , and aesthetic value . Taylor notes that in Argentina the tango is always felt to be on the verge of disappearing . An older and purer form is always challenged by a newer , hybrid form , while various social fac- tions claim ...
... identity , and aesthetic value . Taylor notes that in Argentina the tango is always felt to be on the verge of disappearing . An older and purer form is always challenged by a newer , hybrid form , while various social fac- tions claim ...
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Almindelige termer og sætninger
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing