Discourse, Bind 5–81987 |
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Side 5
... hand , and , on the other hand , the scandals of the early years of the Third Republic , the Panama Canal Affair , the importance attached to political and parliamentary activity , the dispute over the relationship between church and ...
... hand , and , on the other hand , the scandals of the early years of the Third Republic , the Panama Canal Affair , the importance attached to political and parliamentary activity , the dispute over the relationship between church and ...
Side 117
... hand side of the frame ) the supplicating procession of the Russian people ( a long serpentine line stretching off into the distance on the left - hand side of the screen ) coming to seek him out . Bonitzer has no difficulty showing ...
... hand side of the frame ) the supplicating procession of the Russian people ( a long serpentine line stretching off into the distance on the left - hand side of the screen ) coming to seek him out . Bonitzer has no difficulty showing ...
Side 14
... hand - held camera , and another the third - person voice - over . The dramatized or fiction footage , which constitutes the major part of the film , is shot almost entirely in hand - held camera . This is of course a camera style we ...
... hand - held camera , and another the third - person voice - over . The dramatized or fiction footage , which constitutes the major part of the film , is shot almost entirely in hand - held camera . This is of course a camera style we ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing