Discourse, Bind 5–81987 |
Fra bogen
Resultater 1-3 af 44
Side 91
... finally the most general one , the one which states simply that Nature is not a state of repose and immobility , of stagna- tions and immutability , but a state of perpetual movement and change , of endless renewal and development ...
... finally the most general one , the one which states simply that Nature is not a state of repose and immobility , of stagna- tions and immutability , but a state of perpetual movement and change , of endless renewal and development ...
Side 21
... Finally Anni looks to the viewer's right , and the camera moves with her gaze , scanning stacks of pamphlets and books before finally coming to rest on Anne - Marie's face . One more shot / reverse shot follows , pregnant with the ...
... Finally Anni looks to the viewer's right , and the camera moves with her gaze , scanning stacks of pamphlets and books before finally coming to rest on Anne - Marie's face . One more shot / reverse shot follows , pregnant with the ...
Side 59
... finally points to the institu- tional differences between cinema and television - differences all too often obliterated by the TV - sponsored ' amphibious ' film . The diversity that may lull the TV - spectator into the complacent ...
... finally points to the institu- tional differences between cinema and television - differences all too often obliterated by the TV - sponsored ' amphibious ' film . The diversity that may lull the TV - spectator into the complacent ...
Andre udgaver - Se alle
Almindelige termer og sætninger
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing