Discourse, Bind 5–81987 |
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Side 7
... filmmakers ' efforts , since Oberhausen , to engage in an on - going dialogue with German history . This dialogue has proven significant , particularly when filmmakers have participated , as in Fassbinder's case , as subjects of the ...
... filmmakers ' efforts , since Oberhausen , to engage in an on - going dialogue with German history . This dialogue has proven significant , particularly when filmmakers have participated , as in Fassbinder's case , as subjects of the ...
Side 76
... filmmaker as a paradigm : forefronting the subject in an environment hostile to public . expressions of subjectivity , Fassbinder joined a group of similarly daunted filmmakers to react collectively . Troubled by the state of emergency ...
... filmmaker as a paradigm : forefronting the subject in an environment hostile to public . expressions of subjectivity , Fassbinder joined a group of similarly daunted filmmakers to react collectively . Troubled by the state of emergency ...
Side 92
... filmmakers . Among the few who survived intact were Kluge and Straub ; among the casualties are such diverse talents as Herbert Vesely , Vlado Kristl , and Hellmuth Costard ( who is now beginning to re - emerge with Echtzeit [ 1983 ] ...
... filmmakers . Among the few who survived intact were Kluge and Straub ; among the casualties are such diverse talents as Herbert Vesely , Vlado Kristl , and Hellmuth Costard ( who is now beginning to re - emerge with Echtzeit [ 1983 ] ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing