Discourse, Bind 5–81987 |
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Side 32
movement of the story by the insertion of other types of materials into the film . These include pictures taken from moralistic German children's books , excerpts from Kuhle Wampe and from the Soviet real- ist film Chapayev , songs and ...
movement of the story by the insertion of other types of materials into the film . These include pictures taken from moralistic German children's books , excerpts from Kuhle Wampe and from the Soviet real- ist film Chapayev , songs and ...
Side 94
demanded of films , independent and avant - garde films included : In my new film ( Aller Jamais Retour ) quasi - documentary scenes alternate with extremely stylized ones . This is so because I noticed especially in films made in ...
demanded of films , independent and avant - garde films included : In my new film ( Aller Jamais Retour ) quasi - documentary scenes alternate with extremely stylized ones . This is so because I noticed especially in films made in ...
Side 65
... film premiered . In retrospect , how do you feel about the response to the film in India ? Mira : I don't know whether my experience in showing the film in Hyderabad can be considered the definitive experience of showing the film in ...
... film premiered . In retrospect , how do you feel about the response to the film in India ? Mira : I don't know whether my experience in showing the film in Hyderabad can be considered the definitive experience of showing the film in ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing