Discourse, Bind 5–81987 |
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Side 13
... fiction film . In an early interview Sander noted her preference for what might be called " generic bricolage " -for the collapsing of cinematic categories : Truthfully speaking , the distinction between genres means nothing to me . I ...
... fiction film . In an early interview Sander noted her preference for what might be called " generic bricolage " -for the collapsing of cinematic categories : Truthfully speaking , the distinction between genres means nothing to me . I ...
Side 14
... fiction film - of the discursive operations and the social real specific to each . The Subjective Factor often exploits these differences for dialectical purposes . The most obvious documentary element upon which Sander draws is ...
... fiction film - of the discursive operations and the social real specific to each . The Subjective Factor often exploits these differences for dialectical purposes . The most obvious documentary element upon which Sander draws is ...
Side 64
... fiction of reality ( Real - Roman ) . " The task of the filmmaker , then , is to provide complex models with which the spectators can organize their experience for and by themselves . " Either social history continues to tell its fiction ...
... fiction of reality ( Real - Roman ) . " The task of the filmmaker , then , is to provide complex models with which the spectators can organize their experience for and by themselves . " Either social history continues to tell its fiction ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing